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X-WR-CALDESC:Events for ArtsNational
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BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260210T170000
DTEND;TZID=Australia/Sydney:20260210T180000
DTSTAMP:20260519T224615
CREATED:20251208T231545Z
LAST-MODIFIED:20251215T033430Z
UID:10000536-1770742800-1770746400@www.artsnational.au
SUMMARY:Cutting Rythms\, Shaping Stories: How Film Editing Works
DESCRIPTION:Few aspects of creative filmmaking are as shrouded in mystery as the work of the film editor. What do they do? How does it work? Film editors will usually say their art is intuitive – magic\, instinctive\, inexpressible. But this lecture explodes the myth that good editing is invisible\, and reveals what goes on in the edit suite to save movies\, tell stories and make thousands of bits of footage into coherent and compelling films. Drawing on her first-hand experience as an editor and her many years as a professional dancer\, Karen Pearlman puts forward the idea that editing is a form of choreography. She shows how editors shape movement – movement of story\, movement of emotion\, and movement of image and sound\, into moving experiences for an audience. Clips from Pearlman’s Australian Screen Editors Guild award winning films\, and quotes from her internationally distributed book on film editing\, ‘Cutting Rhythms’\, are woven into this talk. \nDates and Locations \nTuesday 10 February 2026 Bowral (NSW) \nMonday 16 February Newcastle (NSW) \nMonday 23 November Hobart (TAS) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/cutting-rythms-filmmaking/2026-02-10/
CATEGORIES:NSW,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Pearlman-Film-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260216T183000
DTEND;TZID=Australia/Sydney:20260216T193000
DTSTAMP:20260519T224615
CREATED:20251208T231545Z
LAST-MODIFIED:20251215T033430Z
UID:10000537-1771266600-1771270200@www.artsnational.au
SUMMARY:Cutting Rythms\, Shaping Stories: How Film Editing Works
DESCRIPTION:Few aspects of creative filmmaking are as shrouded in mystery as the work of the film editor. What do they do? How does it work? Film editors will usually say their art is intuitive – magic\, instinctive\, inexpressible. But this lecture explodes the myth that good editing is invisible\, and reveals what goes on in the edit suite to save movies\, tell stories and make thousands of bits of footage into coherent and compelling films. Drawing on her first-hand experience as an editor and her many years as a professional dancer\, Karen Pearlman puts forward the idea that editing is a form of choreography. She shows how editors shape movement – movement of story\, movement of emotion\, and movement of image and sound\, into moving experiences for an audience. Clips from Pearlman’s Australian Screen Editors Guild award winning films\, and quotes from her internationally distributed book on film editing\, ‘Cutting Rhythms’\, are woven into this talk. \nDates and Locations \nTuesday 10 February 2026 Bowral (NSW) \nMonday 16 February Newcastle (NSW) \nMonday 23 November Hobart (TAS) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/cutting-rythms-filmmaking/2026-02-16/
CATEGORIES:NSW,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Pearlman-Film-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T080000
DTEND;TZID=Australia/Sydney:20260226T170000
DTSTAMP:20260519T224615
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000409-1772092800-1772125200@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/1/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T133000
DTEND;TZID=Australia/Sydney:20260226T143000
DTSTAMP:20260519T224615
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000410-1772112600-1772116200@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/3/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T140000
DTEND;TZID=Australia/Sydney:20260226T140000
DTSTAMP:20260519T224615
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000693-1772114400-1772114400@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/5/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260227T173000
DTEND;TZID=Australia/Sydney:20260227T183000
DTSTAMP:20260519T224615
CREATED:20251204T061123Z
LAST-MODIFIED:20251204T061457Z
UID:10000471-1772213400-1772217000@www.artsnational.au
SUMMARY:Johannes Vermeer and the Absent Subject
DESCRIPTION:Johannes Vermeer’s paintings might be considered typical of the ‘Dutch Golden Age’. Yet\, compared with his contemporaries’ works\, Vermeer’s serene interiors seem oddly different. This particular difference has preoccupied scholars since the ‘rediscovery’ of Vermeer in the 19th Century and will be the focus for our enquiry into his work. Is Vermeer’s subject the merry couple enjoying wine and music; the elegant furnishings; or is it the light and shadow which suffuses every detail and creates tonal nuances? The lecture will review the various interpretations of Vermeer’s art and consider the circumstances that may have influenced him in his day. \nDates and Locations \nFriday 27 February 2026 Mornington Peninsula (VIC) \nMonday 2 March 2026 Hobart (TAS) \nFriday 6 March 2026 Brisbane River (QLD) \nMonday 9 March 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/johannes-vermeer-and-the-absent-subject-2/2026-02-27/
CATEGORIES:NSW,QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/11/Godetsky-Vermeer-W.jpg
END:VEVENT
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