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BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260518T180000
DTEND;TZID=Australia/Melbourne:20260518T190000
DTSTAMP:20260519T180346
CREATED:20251218T014837Z
LAST-MODIFIED:20251218T014955Z
UID:10000741-1779127200-1779130800@www.artsnational.au
SUMMARY:Damien Hirst and Contemporary Art
DESCRIPTION:In his home country\, Damien Hirst is often seen as a practical joker\, pulling the wool over the eyes of the public\, and not making proper art at all.  This lecture aims to dispel this view and show that he is a deeply serious artist making work that is significant and influential. \nDates and Locations \nFriday 8 May 2026 Mornington Peninsula (VIC) \nTuesday 12 May 2026 Launceston (TAS) \nMonday 18 May 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/damien-hirst-contemporary-art/2026-05-18/
CATEGORIES:NSW,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Worthington-Hurst-W-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260512T174500
DTEND;TZID=Australia/Melbourne:20260512T184500
DTSTAMP:20260519T180346
CREATED:20251218T014837Z
LAST-MODIFIED:20251218T014955Z
UID:10000740-1778607900-1778611500@www.artsnational.au
SUMMARY:Damien Hirst and Contemporary Art
DESCRIPTION:In his home country\, Damien Hirst is often seen as a practical joker\, pulling the wool over the eyes of the public\, and not making proper art at all.  This lecture aims to dispel this view and show that he is a deeply serious artist making work that is significant and influential. \nDates and Locations \nFriday 8 May 2026 Mornington Peninsula (VIC) \nTuesday 12 May 2026 Launceston (TAS) \nMonday 18 May 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/damien-hirst-contemporary-art/2026-05-12/
CATEGORIES:NSW,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Worthington-Hurst-W-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260511
DTEND;VALUE=DATE:20260512
DTSTAMP:20260519T180346
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000281-1778522400-1778526000@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-11/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20260508T173000
DTEND;TZID=Australia/Melbourne:20260508T183000
DTSTAMP:20260519T180346
CREATED:20251218T014837Z
LAST-MODIFIED:20251218T014955Z
UID:10000739-1778261400-1778265000@www.artsnational.au
SUMMARY:Damien Hirst and Contemporary Art
DESCRIPTION:In his home country\, Damien Hirst is often seen as a practical joker\, pulling the wool over the eyes of the public\, and not making proper art at all.  This lecture aims to dispel this view and show that he is a deeply serious artist making work that is significant and influential. \nDates and Locations \nFriday 8 May 2026 Mornington Peninsula (VIC) \nTuesday 12 May 2026 Launceston (TAS) \nMonday 18 May 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/damien-hirst-contemporary-art/2026-05-08/
CATEGORIES:NSW,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Worthington-Hurst-W-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260507
DTEND;VALUE=DATE:20260508
DTSTAMP:20260519T180346
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000184-1778112000-1778198399@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-07/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260414T180000
DTEND;TZID=Australia/Sydney:20260414T190000
DTSTAMP:20260519T180346
CREATED:20251212T053911Z
LAST-MODIFIED:20251212T053911Z
UID:10000713-1776189600-1776193200@www.artsnational.au
SUMMARY:Art Crimes and Heists
DESCRIPTION:The lecture will be addressing some of the world’s greatest art crimes and heists in history. Leigh will delve into the murky world of fakes and forgeries\, using his comprehensive\, personal experience as both an auction assistant some of Australia’s most reputable Fine Art auction rooms\, and as a successful secondary market art dealer\, to expose the deceit\, immorality & dark secrets of the art industry; from the Crown to the underground\, in Australia & abroad! \nDates and Locations \nTuesday 14 April 2026 Launceston (TAS) \nMonday 1 June 2026 Mudgee (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/art-crimes-and-heists/2026-04-14/
CATEGORIES:NSW,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Capel-Art-Heists-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260321T100000
DTEND;TZID=Australia/Sydney:20260321T110000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000467-1774087200-1774090800@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-03-21/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260315T150000
DTEND;TZID=Australia/Sydney:20260315T160000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000466-1773586800-1773590400@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-03-15/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260309T183000
DTEND;TZID=Australia/Sydney:20260309T193000
DTSTAMP:20260519T180346
CREATED:20251204T061123Z
LAST-MODIFIED:20251204T061457Z
UID:10000483-1773081000-1773084600@www.artsnational.au
SUMMARY:Johannes Vermeer and the Absent Subject
DESCRIPTION:Johannes Vermeer’s paintings might be considered typical of the ‘Dutch Golden Age’. Yet\, compared with his contemporaries’ works\, Vermeer’s serene interiors seem oddly different. This particular difference has preoccupied scholars since the ‘rediscovery’ of Vermeer in the 19th Century and will be the focus for our enquiry into his work. Is Vermeer’s subject the merry couple enjoying wine and music; the elegant furnishings; or is it the light and shadow which suffuses every detail and creates tonal nuances? The lecture will review the various interpretations of Vermeer’s art and consider the circumstances that may have influenced him in his day. \nDates and Locations \nFriday 27 February 2026 Mornington Peninsula (VIC) \nMonday 2 March 2026 Hobart (TAS) \nFriday 6 March 2026 Brisbane River (QLD) \nMonday 9 March 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/johannes-vermeer-and-the-absent-subject-2/2026-03-09/
CATEGORIES:NSW,QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/11/Godetsky-Vermeer-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260307T093000
DTEND;TZID=Australia/Sydney:20260307T103000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000465-1772875800-1772879400@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-03-07/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260306T123000
DTEND;TZID=Australia/Sydney:20260306T133000
DTSTAMP:20260519T180346
CREATED:20251204T061123Z
LAST-MODIFIED:20251204T061457Z
UID:10000482-1772800200-1772803800@www.artsnational.au
SUMMARY:Johannes Vermeer and the Absent Subject
DESCRIPTION:Johannes Vermeer’s paintings might be considered typical of the ‘Dutch Golden Age’. Yet\, compared with his contemporaries’ works\, Vermeer’s serene interiors seem oddly different. This particular difference has preoccupied scholars since the ‘rediscovery’ of Vermeer in the 19th Century and will be the focus for our enquiry into his work. Is Vermeer’s subject the merry couple enjoying wine and music; the elegant furnishings; or is it the light and shadow which suffuses every detail and creates tonal nuances? The lecture will review the various interpretations of Vermeer’s art and consider the circumstances that may have influenced him in his day. \nDates and Locations \nFriday 27 February 2026 Mornington Peninsula (VIC) \nMonday 2 March 2026 Hobart (TAS) \nFriday 6 March 2026 Brisbane River (QLD) \nMonday 9 March 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/johannes-vermeer-and-the-absent-subject-2/2026-03-06/
CATEGORIES:NSW,QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/11/Godetsky-Vermeer-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260306T103000
DTEND;TZID=Australia/Sydney:20260306T113000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000464-1772793000-1772796600@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-03-06/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260303T180000
DTEND;TZID=Australia/Sydney:20260303T190000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000694-1772560800-1772564400@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-03-03/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260302T180000
DTEND;TZID=Australia/Sydney:20260302T190000
DTSTAMP:20260519T180346
CREATED:20251204T061123Z
LAST-MODIFIED:20251204T061457Z
UID:10000472-1772474400-1772478000@www.artsnational.au
SUMMARY:Johannes Vermeer and the Absent Subject
DESCRIPTION:Johannes Vermeer’s paintings might be considered typical of the ‘Dutch Golden Age’. Yet\, compared with his contemporaries’ works\, Vermeer’s serene interiors seem oddly different. This particular difference has preoccupied scholars since the ‘rediscovery’ of Vermeer in the 19th Century and will be the focus for our enquiry into his work. Is Vermeer’s subject the merry couple enjoying wine and music; the elegant furnishings; or is it the light and shadow which suffuses every detail and creates tonal nuances? The lecture will review the various interpretations of Vermeer’s art and consider the circumstances that may have influenced him in his day. \nDates and Locations \nFriday 27 February 2026 Mornington Peninsula (VIC) \nMonday 2 March 2026 Hobart (TAS) \nFriday 6 March 2026 Brisbane River (QLD) \nMonday 9 March 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/johannes-vermeer-and-the-absent-subject-2/2026-03-02/
CATEGORIES:NSW,QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/11/Godetsky-Vermeer-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260227T173000
DTEND;TZID=Australia/Sydney:20260227T183000
DTSTAMP:20260519T180346
CREATED:20251204T061123Z
LAST-MODIFIED:20251204T061457Z
UID:10000471-1772213400-1772217000@www.artsnational.au
SUMMARY:Johannes Vermeer and the Absent Subject
DESCRIPTION:Johannes Vermeer’s paintings might be considered typical of the ‘Dutch Golden Age’. Yet\, compared with his contemporaries’ works\, Vermeer’s serene interiors seem oddly different. This particular difference has preoccupied scholars since the ‘rediscovery’ of Vermeer in the 19th Century and will be the focus for our enquiry into his work. Is Vermeer’s subject the merry couple enjoying wine and music; the elegant furnishings; or is it the light and shadow which suffuses every detail and creates tonal nuances? The lecture will review the various interpretations of Vermeer’s art and consider the circumstances that may have influenced him in his day. \nDates and Locations \nFriday 27 February 2026 Mornington Peninsula (VIC) \nMonday 2 March 2026 Hobart (TAS) \nFriday 6 March 2026 Brisbane River (QLD) \nMonday 9 March 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/johannes-vermeer-and-the-absent-subject-2/2026-02-27/
CATEGORIES:NSW,QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/11/Godetsky-Vermeer-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T140000
DTEND;TZID=Australia/Sydney:20260226T140000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000693-1772114400-1772114400@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/5/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T133000
DTEND;TZID=Australia/Sydney:20260226T143000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000410-1772112600-1772116200@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/3/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260226T080000
DTEND;TZID=Australia/Sydney:20260226T170000
DTSTAMP:20260519T180346
CREATED:20251201T065745Z
LAST-MODIFIED:20251212T000723Z
UID:10000409-1772092800-1772125200@www.artsnational.au
SUMMARY:Albrecht Durer: Life\, Ego and Afterlife
DESCRIPTION:In his day\, Albrecht Dürer was a larger-than-life figure. Through the high quality of his woodcutting\, and the facility with which printed culture could be disseminated\, Dürer became an international success. Not a stranger to a mode of self-fashioning that would sit comfortably in today’s social media channels\, Dürer crafted a lasting legacy for his art through his prints\, paintings\, and copious writing. Yet\, the words he wrote – as much as the images he invented – reveal a man in profound search of his identity\, especially at a time when social and religious values were in radical flux. Albert traces the artist’s origins in his goldsmith father’s workshop in Nuremberg\, his ambitious travels in Italy and subsequent patronage by the Habsburgs. \nDates and Locations \nThursday 26 February 2026 Yarra (VIC) \nTuesday 3 March 2026 Launceston (TAS) \nFriday 6 March​ 2026 Brisbane River (QLD) \nSaturday 7 March 2026 Gold Coast (QLD) \n​Sunday 15 March 2026 Sunshine Coast (QLD) \nSaturday 21 March 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/albrecht-durer-life-ego-and-afterlife-2/2026-02-26/1/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Godetsky-Self-portrait-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260216T183000
DTEND;TZID=Australia/Sydney:20260216T193000
DTSTAMP:20260519T180346
CREATED:20251208T231545Z
LAST-MODIFIED:20251215T033430Z
UID:10000537-1771266600-1771270200@www.artsnational.au
SUMMARY:Cutting Rythms\, Shaping Stories: How Film Editing Works
DESCRIPTION:Few aspects of creative filmmaking are as shrouded in mystery as the work of the film editor. What do they do? How does it work? Film editors will usually say their art is intuitive – magic\, instinctive\, inexpressible. But this lecture explodes the myth that good editing is invisible\, and reveals what goes on in the edit suite to save movies\, tell stories and make thousands of bits of footage into coherent and compelling films. Drawing on her first-hand experience as an editor and her many years as a professional dancer\, Karen Pearlman puts forward the idea that editing is a form of choreography. She shows how editors shape movement – movement of story\, movement of emotion\, and movement of image and sound\, into moving experiences for an audience. Clips from Pearlman’s Australian Screen Editors Guild award winning films\, and quotes from her internationally distributed book on film editing\, ‘Cutting Rhythms’\, are woven into this talk. \nDates and Locations \nTuesday 10 February 2026 Bowral (NSW) \nMonday 16 February Newcastle (NSW) \nMonday 23 November Hobart (TAS) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/cutting-rythms-filmmaking/2026-02-16/
CATEGORIES:NSW,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Pearlman-Film-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260210T170000
DTEND;TZID=Australia/Sydney:20260210T180000
DTSTAMP:20260519T180346
CREATED:20251208T231545Z
LAST-MODIFIED:20251215T033430Z
UID:10000536-1770742800-1770746400@www.artsnational.au
SUMMARY:Cutting Rythms\, Shaping Stories: How Film Editing Works
DESCRIPTION:Few aspects of creative filmmaking are as shrouded in mystery as the work of the film editor. What do they do? How does it work? Film editors will usually say their art is intuitive – magic\, instinctive\, inexpressible. But this lecture explodes the myth that good editing is invisible\, and reveals what goes on in the edit suite to save movies\, tell stories and make thousands of bits of footage into coherent and compelling films. Drawing on her first-hand experience as an editor and her many years as a professional dancer\, Karen Pearlman puts forward the idea that editing is a form of choreography. She shows how editors shape movement – movement of story\, movement of emotion\, and movement of image and sound\, into moving experiences for an audience. Clips from Pearlman’s Australian Screen Editors Guild award winning films\, and quotes from her internationally distributed book on film editing\, ‘Cutting Rhythms’\, are woven into this talk. \nDates and Locations \nTuesday 10 February 2026 Bowral (NSW) \nMonday 16 February Newcastle (NSW) \nMonday 23 November Hobart (TAS) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/cutting-rythms-filmmaking/2026-02-10/
CATEGORIES:NSW,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Pearlman-Film-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251101T100000
DTEND;TZID=Australia/Melbourne:20251101T110000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000153-1761991200-1761994800@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-11-01/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251024T103000
DTEND;TZID=Australia/Melbourne:20251024T113000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000152-1761301800-1761305400@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-24/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251023T100000
DTEND;TZID=Australia/Melbourne:20251023T110000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000151-1761213600-1761217200@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-23/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251022T193000
DTEND;TZID=Australia/Melbourne:20251022T203000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000150-1761161400-1761165000@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-22/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251020T183000
DTEND;TZID=Australia/Melbourne:20251020T193000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000149-1760985000-1760988600@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-20/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251015T180000
DTEND;TZID=Australia/Melbourne:20251015T190000
DTSTAMP:20260519T180346
CREATED:20250715T005305Z
LAST-MODIFIED:20250827T025422Z
UID:10000059-1760551200-1760554800@www.artsnational.au
SUMMARY:The Paintings Conservation Roadshow
DESCRIPTION:Sarah discusses the nature of oil painting materials\, and common problems associated with the ageing and deterioration of\, and damage to\, easel paintings. These can be on canvas\, panel\, board or paper in a range of mediums: oil\, acrylic\, egg tempera\, or mixed media. Problems can involve natural deterioration and neglect\, sketches accidental damage\, vandalism and even war! Modern approaches to conservation and restoration will be illustrated with slides ranging from early Italian religious paintings via rapid oil on paper to 20th century British paintings and modern abstract works. Hints and advice on the care of paintings is given liberally throughout! Sarah will then turn her attention to paintings that members bring along that they own for a hands-on ‘Antiques Roadshow’ style condition assessment and give recommendations for conservation. Advice on packing and transport is given beforehand. \nDate and Location \nWednesday 15 October 2025 Launceston (TAS) \nClick on the location above for more details and to book tickets.
URL:https://www.artsnational.au/event/conservation-roadshow/
CATEGORIES:TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-Painiting-Conservation-Roadshow-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251014T180000
DTEND;TZID=Australia/Melbourne:20251014T190000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000148-1760464800-1760468400@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-14/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20251013T180000
DTEND;TZID=Australia/Melbourne:20251013T190000
DTSTAMP:20260519T180346
CREATED:20250715T003312Z
LAST-MODIFIED:20250827T024734Z
UID:10000147-1760378400-1760382000@www.artsnational.au
SUMMARY:How Constable’s Late Paintings Changed the Face of Modern Art
DESCRIPTION:Would you recognise John Constable R.A.’s ‘late’ oil studies? Constable’s exuberant\, almost abstract\, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. In fact\, the handling is so avant-garde that it is impossible to tell what these paint strokes depict! Constable only sold 20 or so paintings in England during his lifetime\, as their rough and ‘specky’ surfaces horrified audiences. By contrast\, he sold many to forward-looking French art dealers and collectors. Consequently\, his radical ‘late’ works influenced generations of French painters\, making Constable a Forefather of Modern Painting. Sarah Cove’s work reveals a ‘Jackson Pollock of the 1830s’. \nDates and Locations \nMonday 13 October 2025 Hobart (TAS) \nTuesday 14 October 2025 Launceston (TAS) \nMonday 20 October 2025 Northern Rivers (NSW) \nWednesday 22 & Thursday 23 October Brisbane (QLD)  \nFriday 24 October 2025 Brisbane River (QLD) \nSaturday 1 November 2025 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constables-paintings/2025-10-13/
CATEGORIES:NSW,QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Cove-My-scrambling-affair-R5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20250924T174500
DTEND;TZID=Australia/Melbourne:20250924T190000
DTSTAMP:20260519T180346
CREATED:20250713T082227Z
LAST-MODIFIED:20250822T033827Z
UID:10000119-1758735900-1758740400@www.artsnational.au
SUMMARY:The Art of the Cartoon
DESCRIPTION:Harry Venning has been a professional cartoonist for thirty years\, during which time he has provided cartoons for several high-profile UK publications (The Guardian\, Radio Times) as well as for countless more obscure titles (British Journal Of Wound Care). In this lecture\, Harry will be tracing the history of his profession with examples from early practitioners like Cruickshank and Hogarth\, to more contemporary artists such as Giles and Schulz\, bringing events right up to date with cartoons produced fresh on the page that day! Yes\, Harry will be drawing live. Prepare to hear some tricks of his trade\, learn where to put eyebrows for maximum effect and discover exactly what the Eskimo brothers said in The Funniest Joke Ever (possibly). \nDates and Locations \nMonday 8 September 2025 Hobart (TAS) \nSaturday 13 September 2025 Gold Coast (QLD) \nFriday 19 September​ 2025 Brisbane River (QLD) \n​Sunday 21 September 2025 Sunshine Coast (QLD) \nWednesday 24 September 2025 Toowoomba (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-art-of-the-cartoon/2025-09-24/
CATEGORIES:QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Venning-Cartoon-R4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Melbourne:20250921T150000
DTEND;TZID=Australia/Melbourne:20250921T160000
DTSTAMP:20260519T180346
CREATED:20250713T082227Z
LAST-MODIFIED:20250822T033827Z
UID:10000118-1758466800-1758470400@www.artsnational.au
SUMMARY:The Art of the Cartoon
DESCRIPTION:Harry Venning has been a professional cartoonist for thirty years\, during which time he has provided cartoons for several high-profile UK publications (The Guardian\, Radio Times) as well as for countless more obscure titles (British Journal Of Wound Care). In this lecture\, Harry will be tracing the history of his profession with examples from early practitioners like Cruickshank and Hogarth\, to more contemporary artists such as Giles and Schulz\, bringing events right up to date with cartoons produced fresh on the page that day! Yes\, Harry will be drawing live. Prepare to hear some tricks of his trade\, learn where to put eyebrows for maximum effect and discover exactly what the Eskimo brothers said in The Funniest Joke Ever (possibly). \nDates and Locations \nMonday 8 September 2025 Hobart (TAS) \nSaturday 13 September 2025 Gold Coast (QLD) \nFriday 19 September​ 2025 Brisbane River (QLD) \n​Sunday 21 September 2025 Sunshine Coast (QLD) \nWednesday 24 September 2025 Toowoomba (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-art-of-the-cartoon/2025-09-21/
CATEGORIES:QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/07/Venning-Cartoon-R4.jpg
END:VEVENT
END:VCALENDAR