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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260507
DTEND;VALUE=DATE:20260508
DTSTAMP:20260429T234014
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000184-1778112000-1778198399@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-07/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260511
DTEND;VALUE=DATE:20260512
DTSTAMP:20260429T234014
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000281-1778522400-1778526000@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-11/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260520
DTEND;VALUE=DATE:20260521
DTSTAMP:20260429T234014
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000282-1779305400-1779309000@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-20/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260521
DTEND;VALUE=DATE:20260522
DTSTAMP:20260429T234014
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000283-1779357600-1779357600@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-21/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260523
DTEND;VALUE=DATE:20260524
DTSTAMP:20260429T234014
CREATED:20251017T082056Z
LAST-MODIFIED:20251205T070945Z
UID:10000492-1779552000-1779555600@www.artsnational.au
SUMMARY:Constantin Brancusi and 20th Century Scuplture
DESCRIPTION:Brancusi was the son of a peasant from a mountainous province of Romania\, yet he became an internationally famous artist and is now seen as one of\, if not the\, most important sculptors of the 20th century. How did this happen and what is so special about his work? Brancusi combined the Romanian wood working tradition with a Belles Arts fine art training. He also had an intuitive understanding of the significance of engineered products. A great friend of the inventor of Conceptual art\, Marcel Duchamp\, Brancusi is an enigmatic contradiction\, and this will be explored in this lecture\, along with his relevance to 20th century sculpture. \nDates and Locations \nThursday 7 May 2026 Yarra (VIC) \nMonday 11 May 2026 Hobart (TAS) \nWednesday 20 May 2026 Brisbane (QLD) \nThursday 21 May 2026 Brisbane (QLD) \nSaturday 23 May 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/constantin-brancusi-and-20th-century-scuplture/2026-05-23/
CATEGORIES:QLD,TAS,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/10/Worthington-Brancusi-Sleeping-Muse-R2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260703T173000
DTEND;TZID=Australia/Sydney:20260703T190000
DTSTAMP:20260429T234014
CREATED:20251203T032951Z
LAST-MODIFIED:20251203T033651Z
UID:10000447-1783099800-1783105200@www.artsnational.au
SUMMARY:'The Good\, the Bad and the Ugly': Unexpected Uses of Portraiture
DESCRIPTION:This lecture considers some of the more unusual uses of portraiture from building an encyclopaedia of the tattoos that recorded Russian prisoners’ crimes to demonstrating the effects of genetics.  These uses are only two examples from a range of artists producing startling portraits for reasons that may be amusing\, profoundly moving and completely unexpected. \nDates and Locations \nFriday 3 July 2026 Mornington Peninsula (VIC) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-good-the-bad-and-the-ugly-unexpected-uses-of-portraiture/
CATEGORIES:VIC
ATTACH;FMTTYPE=image/png:https://www.artsnational.au/wp-content/uploads/2025/12/Courbet-the-desperate-man-W.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260730
DTEND;VALUE=DATE:20260731
DTSTAMP:20260429T234014
CREATED:20251201T081625Z
LAST-MODIFIED:20251205T075659Z
UID:10000420-1785369600-1785455999@www.artsnational.au
SUMMARY:Persepolis: Art\, Architecture and Ideology of the Persian Empire
DESCRIPTION:The Persian empire exploded into life during the middle of the 6th century BC and was the largest empire in the world for the next two centuries. In around 515\, its third Great King\, Darius I\, commissioned the building of a new city\, Persepolis\, with his palace at its centre. We know a great deal about this palace\, and one of its central features\, the Apadana Staircase\, can be seen in replica in the British Museum. What can this palace and its art tell us about the ideology of this extraordinary\, influential empire? \nDates and Locations \nThursday 30 July 2026 Yarra (VIC) \nFriday 31 July 2026 Mornington Peninsula (VIC) \nFriday 7 August​ 2026 Brisbane River (QLD) \n​Sunday 16 August 2026 Sunshine Coast (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/persepolis-art-architecture-and-ideology-of-the-persian-empire/2026-07-30/
CATEGORIES:QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Persepolis-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260731
DTEND;VALUE=DATE:20260801
DTSTAMP:20260429T234014
CREATED:20251201T081625Z
LAST-MODIFIED:20251205T075659Z
UID:10000425-1785519000-1785522600@www.artsnational.au
SUMMARY:Persepolis: Art\, Architecture and Ideology of the Persian Empire
DESCRIPTION:The Persian empire exploded into life during the middle of the 6th century BC and was the largest empire in the world for the next two centuries. In around 515\, its third Great King\, Darius I\, commissioned the building of a new city\, Persepolis\, with his palace at its centre. We know a great deal about this palace\, and one of its central features\, the Apadana Staircase\, can be seen in replica in the British Museum. What can this palace and its art tell us about the ideology of this extraordinary\, influential empire? \nDates and Locations \nThursday 30 July 2026 Yarra (VIC) \nFriday 31 July 2026 Mornington Peninsula (VIC) \nFriday 7 August​ 2026 Brisbane River (QLD) \n​Sunday 16 August 2026 Sunshine Coast (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/persepolis-art-architecture-and-ideology-of-the-persian-empire/2026-07-31/
CATEGORIES:QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Persepolis-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260807
DTEND;VALUE=DATE:20260808
DTSTAMP:20260429T234014
CREATED:20251201T081625Z
LAST-MODIFIED:20251205T075659Z
UID:10000426-1786098600-1786102200@www.artsnational.au
SUMMARY:Persepolis: Art\, Architecture and Ideology of the Persian Empire
DESCRIPTION:The Persian empire exploded into life during the middle of the 6th century BC and was the largest empire in the world for the next two centuries. In around 515\, its third Great King\, Darius I\, commissioned the building of a new city\, Persepolis\, with his palace at its centre. We know a great deal about this palace\, and one of its central features\, the Apadana Staircase\, can be seen in replica in the British Museum. What can this palace and its art tell us about the ideology of this extraordinary\, influential empire? \nDates and Locations \nThursday 30 July 2026 Yarra (VIC) \nFriday 31 July 2026 Mornington Peninsula (VIC) \nFriday 7 August​ 2026 Brisbane River (QLD) \n​Sunday 16 August 2026 Sunshine Coast (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/persepolis-art-architecture-and-ideology-of-the-persian-empire/2026-08-07/
CATEGORIES:QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Persepolis-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260815T160000
DTEND;TZID=Australia/Sydney:20260815T170000
DTSTAMP:20260429T234014
CREATED:20251205T071928Z
LAST-MODIFIED:20251205T073824Z
UID:10000493-1786809600-1786813200@www.artsnational.au
SUMMARY:Troy – City in Art and Myth
DESCRIPTION:The Trojan war is the central myth of the Greek tradition\, and the tale has influenced art and literature down the ages. When was the ancient city of Troy first identified by archaeologists and what do we know about it? Was there really a Trojan War fought over a kidnapped Greek queen? How has the city of Troy been depicted in art and literature ever since? Why does the city and its story continue to cast such a spell in every generation\, even so far as inspiring acclaimed theatrical performances by Syrian refugee women in our own times? \nDates and Locations \nSaturday 15 August 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/troy-city-in-art-and-myth/
CATEGORIES:QLD
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Walls_of_Troy-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260816
DTEND;VALUE=DATE:20260817
DTSTAMP:20260429T234014
CREATED:20251201T081625Z
LAST-MODIFIED:20251205T075659Z
UID:10000427-1786892400-1786896000@www.artsnational.au
SUMMARY:Persepolis: Art\, Architecture and Ideology of the Persian Empire
DESCRIPTION:The Persian empire exploded into life during the middle of the 6th century BC and was the largest empire in the world for the next two centuries. In around 515\, its third Great King\, Darius I\, commissioned the building of a new city\, Persepolis\, with his palace at its centre. We know a great deal about this palace\, and one of its central features\, the Apadana Staircase\, can be seen in replica in the British Museum. What can this palace and its art tell us about the ideology of this extraordinary\, influential empire? \nDates and Locations \nThursday 30 July 2026 Yarra (VIC) \nFriday 31 July 2026 Mornington Peninsula (VIC) \nFriday 7 August​ 2026 Brisbane River (QLD) \n​Sunday 16 August 2026 Sunshine Coast (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/persepolis-art-architecture-and-ideology-of-the-persian-empire/2026-08-16/
CATEGORIES:QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Persepolis-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260903T100000
DTEND;TZID=Australia/Sydney:20260903T110000
DTSTAMP:20260429T234014
CREATED:20251201T083134Z
LAST-MODIFIED:20251205T074248Z
UID:10000501-1788429600-1788433200@www.artsnational.au
SUMMARY:The Use of Naturalism in the Work of Fabergé
DESCRIPTION:“Fabergé” conjures up images of pre-revolutionary Russia\, opulent Easter eggs and exquisite pieces found in the most important world collections. This presentation analyses the use of naturalism by Fabergé\, focusing on lesser-known experiments in Art Nouveau\, as well as animal representations in hardstone carvings and flower studies. It also highlights the naturalistic imagery incorporated into objects d’art such as desk seals and caviar dishes. \nDates and Locations \nThursday 3 September 2026 Yarra (VIC) \nMonday 14 September 2026 Northern Rivers (NSW) \nSaturday 19 September 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-user-of-naturalism-in-the-work-of-faberge/2026-09-03/
CATEGORIES:NSW,QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Blatherwick-Faberge-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260914T000000
DTEND;TZID=Australia/Sydney:20260914T235959
DTSTAMP:20260429T234014
CREATED:20251204T073641Z
LAST-MODIFIED:20251204T073641Z
UID:10000484-1789344000-1789430399@www.artsnational.au
SUMMARY:Pompeii & Herculaneum: Reconstructing the Final Day
DESCRIPTION:In this presentation\, James combines archaeology\, volcanology\, literary evidence and art\, to examine what happened to these two towns when destroyed on the same day in AD 79 by the eruption of Mt Vesuvius. He enables his audience to examine the evidence of Pliny the Younger\, who provided history’s first eye-witness account of a volcanic eruption\, along with evidence subsequently uncovered in the cities themselves. \nDates and Locations \nMonday 10 August 2026 Northern Rivers (NSW) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/pompeii-herculaneum-reconstructing-the-final-day/
CATEGORIES:NSW
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Renshaw-Pompeii-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260914T180000
DTEND;TZID=Australia/Sydney:20260914T190000
DTSTAMP:20260429T234014
CREATED:20251201T083134Z
LAST-MODIFIED:20251205T074248Z
UID:10000504-1789408800-1789412400@www.artsnational.au
SUMMARY:The Use of Naturalism in the Work of Fabergé
DESCRIPTION:“Fabergé” conjures up images of pre-revolutionary Russia\, opulent Easter eggs and exquisite pieces found in the most important world collections. This presentation analyses the use of naturalism by Fabergé\, focusing on lesser-known experiments in Art Nouveau\, as well as animal representations in hardstone carvings and flower studies. It also highlights the naturalistic imagery incorporated into objects d’art such as desk seals and caviar dishes. \nDates and Locations \nThursday 3 September 2026 Yarra (VIC) \nMonday 14 September 2026 Northern Rivers (NSW) \nSaturday 19 September 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-user-of-naturalism-in-the-work-of-faberge/2026-09-14/
CATEGORIES:NSW,QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Blatherwick-Faberge-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20260919T160000
DTEND;TZID=Australia/Sydney:20260919T170000
DTSTAMP:20260429T234014
CREATED:20251201T083134Z
LAST-MODIFIED:20251205T074248Z
UID:10000503-1789833600-1789837200@www.artsnational.au
SUMMARY:The Use of Naturalism in the Work of Fabergé
DESCRIPTION:“Fabergé” conjures up images of pre-revolutionary Russia\, opulent Easter eggs and exquisite pieces found in the most important world collections. This presentation analyses the use of naturalism by Fabergé\, focusing on lesser-known experiments in Art Nouveau\, as well as animal representations in hardstone carvings and flower studies. It also highlights the naturalistic imagery incorporated into objects d’art such as desk seals and caviar dishes. \nDates and Locations \nThursday 3 September 2026 Yarra (VIC) \nMonday 14 September 2026 Northern Rivers (NSW) \nSaturday 19 September 2026 Noosa (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/the-user-of-naturalism-in-the-work-of-faberge/2026-09-19/
CATEGORIES:NSW,QLD,VIC
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Blatherwick-Faberge-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20261013T180000
DTEND;TZID=Australia/Sydney:20261013T190000
DTSTAMP:20260429T234014
CREATED:20251205T072942Z
LAST-MODIFIED:20251212T001920Z
UID:10000701-1791914400-1791918000@www.artsnational.au
SUMMARY:Diverse Riche and Costlye Jewells: 17th Century Trade\, Treasure and the Cheapside Hoard
DESCRIPTION:‘Diverse riche and costlye Jewells’ is a perfect description of the unique collection of jewels known as the ‘Cheapside Hoard’. Unearthed\, by chance\, in 1912 in one of the most historic parts of London\, it seems it was lost\, or buried\, between 1640 and 1666. More than 400 pieces make up this remarkable Hoard\, including a unique walnut-sized emerald contacting a watch movement\, a slithery emerald studded salamander to earrings shimmering with suspended amethysts. These are rare\, but not royal\, jewels. Pieces demonstrate remarkable skills and stones mined in every part of the world. What does the collection represent? Why was it brought together? What are its secrets? \nDates and Locations \nTuesday 13 October 2026 Launceston (TAS) \nSaturday 24 October 2026 Noosa (QLD) \nSaturday 31 October 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/diverse-riche-and-costlye-jewells-17th-century-trade-treasure-and-the-cheapside-hoard/2026-10-13/
CATEGORIES:QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Herries-Cheapside-Hoard-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20261024T160000
DTEND;TZID=Australia/Sydney:20261025T170000
DTSTAMP:20260429T234014
CREATED:20251205T072942Z
LAST-MODIFIED:20251212T001920Z
UID:10000499-1792857600-1792947600@www.artsnational.au
SUMMARY:Diverse Riche and Costlye Jewells: 17th Century Trade\, Treasure and the Cheapside Hoard
DESCRIPTION:‘Diverse riche and costlye Jewells’ is a perfect description of the unique collection of jewels known as the ‘Cheapside Hoard’. Unearthed\, by chance\, in 1912 in one of the most historic parts of London\, it seems it was lost\, or buried\, between 1640 and 1666. More than 400 pieces make up this remarkable Hoard\, including a unique walnut-sized emerald contacting a watch movement\, a slithery emerald studded salamander to earrings shimmering with suspended amethysts. These are rare\, but not royal\, jewels. Pieces demonstrate remarkable skills and stones mined in every part of the world. What does the collection represent? Why was it brought together? What are its secrets? \nDates and Locations \nTuesday 13 October 2026 Launceston (TAS) \nSaturday 24 October 2026 Noosa (QLD) \nSaturday 31 October 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/diverse-riche-and-costlye-jewells-17th-century-trade-treasure-and-the-cheapside-hoard/2026-10-24/
CATEGORIES:QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Herries-Cheapside-Hoard-W.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Sydney:20261031T100000
DTEND;TZID=Australia/Sydney:20261031T110000
DTSTAMP:20260429T234014
CREATED:20251205T072942Z
LAST-MODIFIED:20251212T001920Z
UID:10000500-1793440800-1793444400@www.artsnational.au
SUMMARY:Diverse Riche and Costlye Jewells: 17th Century Trade\, Treasure and the Cheapside Hoard
DESCRIPTION:‘Diverse riche and costlye Jewells’ is a perfect description of the unique collection of jewels known as the ‘Cheapside Hoard’. Unearthed\, by chance\, in 1912 in one of the most historic parts of London\, it seems it was lost\, or buried\, between 1640 and 1666. More than 400 pieces make up this remarkable Hoard\, including a unique walnut-sized emerald contacting a watch movement\, a slithery emerald studded salamander to earrings shimmering with suspended amethysts. These are rare\, but not royal\, jewels. Pieces demonstrate remarkable skills and stones mined in every part of the world. What does the collection represent? Why was it brought together? What are its secrets? \nDates and Locations \nTuesday 13 October 2026 Launceston (TAS) \nSaturday 24 October 2026 Noosa (QLD) \nSaturday 31 October 2026 Rockhampton (QLD) \nClick on your preferred location above for more details and to book tickets.
URL:https://www.artsnational.au/event/diverse-riche-and-costlye-jewells-17th-century-trade-treasure-and-the-cheapside-hoard/2026-10-31/
CATEGORIES:QLD,TAS
ATTACH;FMTTYPE=image/jpeg:https://www.artsnational.au/wp-content/uploads/2025/12/Herries-Cheapside-Hoard-W.jpg
END:VEVENT
END:VCALENDAR