Brisbane
ADFAS Brisbane welcomes you
ADFAS Brisbane is a friendly and thriving local Arts community. We are a not-for-profit association which provides interesting and informative lectures to its members in a social setting in two central locations, the Queensland State Library and the Royal Queensland Art Society in Petrie Terrace. We promote the study and cultivation of the Arts and support young artists in our community. We believe that the Arts enrich lives and communities.
We offer 2 lecture sessions, Wednesday evenings and Thursday mornings. Our lectures are presented by International and Australian experts and topics range from the decorative and fine arts, crafts, design including gardens and architecture and the performing arts. We also offer Half Interest Days which explore a topic in more depth and special outings.
We support the development of Young Artists through a range of philanthropic donations and by creating partnerships with leading arts organisations.
Anyone can join and visitors are welcome.
Our Program Brochure for 2025 is below.
Committee
Chair: Rachel Tyquin
Treasurer: Lesley Anderson
Secretary: Mark van den Berg
Membership Secretary: Sherril Butterworth Ph: 0416 114 304
Contact
For all enquiries please email: adfasbrisbane@gmail.com
ABN: 79 787 315 013
ADFAS Brisbane offers 2 lecture sessions, Wednesday evenings and Thursday mornings.
Wednesday evening lectures are at 7:30pm at the Royal Queensland Art Society 3/162 Petrie Terrace, Brisbane QLD.
Thursday morning lectures are at 10am at the Queensland State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane QLD.
From time to time special extra lectures may be arranged at a cost of $40 per person.
Membership
The annual subscription includes entry to 8 interesting and informative lectures:
$220 for renewing members
$230 for new members
Click here to join and receive a confirmation email for your records.
Important Member Information
Bookings for lectures will open in Trybooking one month before the date of the lecture. Please inform us if you find you can’t attend a lecture or event for any reason, so we can cancel your catering.
You can contact us by email at adfasbrisbane@gmail.com or call or text Sherril on 0416 114 304.
Visitors Welcome
Visitors are welcome to attend lectures and must book their tickets online using the Trybooking links provided in the Program:
$40 Visitor
$20 Member of another society and students.
Visitors are welcome to attend up to 3 lectures in a calendar year.
Half Interest Days
$50 Members and students
$60 Visitor/Member of another society
Members and Visitors must book their tickets online using the Trybooking links provided in the Program.
2025 PROGRAM
THE ANTIQUES ROADSHOW: Behind the Scenes and the
Presented by: Marc Allum
Wednesday 26 March, 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 27 March, 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
A firsthand and fascinating insight behind the UK’s most popular antiques program by Marc Allum, a specialist on the show for over 25 years.
Marc Allum is a freelance art and antiques journalist, writer and broadcaster based in Wiltshire, UK. He has been a specialist on the BBC Antiques Roadshow for over 25 years. Marc regularly writes for mainstream magazines and is an author, antiques consultant and lecturer. He also runs a fine art valuation and consultancy service. Marc’s interests range from pre-history to modern design, and he is a self-confessed ‘collectaholic.’ Marc has lectured widely to organisations in both the public and charity sector, including travel companies, The National Trust and at literary festivals including Cheltenham, Bath and Wells. Marc is a Fellow of the Society of Antiquaries.
HALF INTEREST DAY 1
THE ANATOMY OF COLLECTING: The History of Collecting and Great Collectors through History and Bring an Object
Thursday 27 March 2025
Presented by Marc Allum
Time & Venue: 11.45am-2.15pm, QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
This interest day is a fascinating time-line talk focusing on why we collect and how our predilection for collecting has evolved through history. It will be Illustrated with examples from the great historical collectors and illuminated with objects from Marc’s own eclectic collection. You may bring an object (not too large) for Marc’s comment and appraisal.
VITA SACKVILLE-WEST: Novelist, Poet and Creator of Sissinghurst
Presented by: Susannah Fullerton
Wednesday 30 April, 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 1 May, 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
Born to affluence in one of the great stately homes of England, Vita Sackville-West never really recovered from the fact that she had been born a girl and so could not inherit Knole, the house she adored. Her life was controversial and full of contradictions. She married Harold Nicolson, but eloped with Violet Keppel; she wanted to be a famous poet, but is best remembered for creating one of the loveliest gardens in England. Susannah Fullerton discusses the creation of Sissinghurst’s garden and the intriguing life story of Vita.
Susannah has been passionate about literature for as long as she can remember. She has a BA from the University of Auckland NZ and a post-graduate degree in Victorian literature from the University of Edinburgh, Scotland. She currently teaches literature courses in Sydney and lectures regularly at the State Library of NSW and the Art Gallery of NSW. In 2017 Susannah was awarded an Order of Australia Medal for Services to Literature and was made a Fellow of the Royal Society of NSW.
THE WORLD’S’ GREATEST PAINTINGS: 200 Years of the National Gallery
Presented by: Simon Whitehouse
Wednesday 14 May, 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 15 May, 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
This lecture tells the story of the establishment of the NG collection beginning in 1824 when Lord Liverpool’s Government purchased 38 paintings from John Julius Angerstein. In 1838, it was decided that a purpose-built gallery was required, giving us the William Wilkins designed building on Trafalgar Square. We examine the Gallery’s early years including suffragette sabotage, bombs and theft. We also look at some of the original ‘Angerstein 38’ paintings.
Simon is a (recovering) actor, presenter, Alexander Technique and voice teacher, and award-winning London Blue Badge guide. He has worked as a guide in-house at Shakespeare’s Globe, the Royal Opera House, the BBC and the National Gallery guiding both public and private tours. He is on the faculty of Ithaca College and lectures for the Blue Badge Guide training course on the performing arts and English literature. Simon’s specialisms and passions are theatre, literature, fashion, and art history but whatever the subject, Simon will weave a wonderful story from it.
HALF INTEREST DAY 2
WILDE ABOUT OSCAR: Famous for Being Famous (& Infamous)
Thursday 15 May 2025
Presented by Simon Whitehouse
Time & Venue: 11.45am-2.15pm, QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
This lecture examines the life and times of Oscar Wilde from his Irish roots to his days as a student at Oxford and his meteoric rise to the heights of celebrity. We travel with him to the United States and examine his starring role within the artistic and theatrical worlds of late 19th century London. We visit his home in bohemian Chelsea and some of his favourite West End haunts. Finally, we learn how ‘tired of being in the heights, he plunged into the depths’ and became famous for being infamous.
JAPANESE WOODBLOCK MASTERPIECES BY HIROSHIGE
Presented by: Kathleen Olive
Wednesday 18 June, 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 19 June, 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
From conventional portraits of beautiful women and actors to series of landscapes, birds and flowers, Hiroshige’s career was distinguished by the use of line and the power of composition. Propelled by popular demand and enlivened by the subtle tweaks made possible by reprints, his prints demonstrate the refinement of Japanese tastes and the tradition of collaboration. With seasonality as our key, we focus on Hiroshige’s wintry scenes, exploring their appeal.
Kathleen’s PhD was a study of artisanal culture in Renaissance Florence, through the lens of a goldsmith’s commonplace book known as the Codex Rustici. She lived and studied in Italy for a number of years, and then taught Italian language, literature and history at the University of Sydney. Kathleen now works with Academy Travel, leading tours to Europe and, particularly, Italy.
SPECIAL EXTRA LECTURE
NORMAN MAGNIFICENCE IN SICILY
Thursday 19 June 2025
Presented by Kathleen Olive
Time & Venue: 12-1pm, QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
Cost $40
It is often assumed that the art and architecture of Norman southern Italy should be strongly tied to the invaders’ own French or adopted Italian influences. In this lecture, Kathleen investigates the Islamic and Byzantine models for Sicily’s imposing monuments. We consider why the monarchy chose to conflate two such disparate aesthetics in its iconography and how this reflected or advanced the power and wealth of the dynasty. Considering Palermo’s glittering Palatine Chapel, for example, or Cefalù’s imposing cathedral we uncover the values and taste of the Normans in Sicily.
FRIEDA KAHLO AND DIEGO RIVERA: A Volatile Relationship
Presented by: Maria Chester
Wednesday 16 July 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 17 July 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
Eccentric artists, Frida and Diego, were both exceptional in so many ways. This lecture is about love and passion and the art they created in the first half of the 20th century. The focus will be on their artworks, but their creations are always linked to the political situation, health and their own relationship.
Born in Buenos Aires, Argentina, multilingual Maria Chester studied Fine Arts and Art History and is a Professor of Pre-Columbian Art. She taught in several South American universities and at private institutions. She is a Senior Lecturer and tutor on Art History for BEA – Berwick Educational Association in the Scottish Borders, where she lives. She also works for Berwick Visual Arts delivering conferences linked to art exhibitions complemented with guided tours. In May 2018, she was made a Visiting Research Fellow at CAUA Research Centre for International Elderly Education, Shanghai, China. She became an Accredited Lecturer for The Arts Society in 2018.
HALF INTEREST DAY 3
THE ART OF ANCIENT EASTERN CIVILISATIONS: The Mesopotamian Civilisation of Persia
Thursday 17 July 2025
Presented by Maria Chester
Time & Venue: 11.45am-2.15pm, QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
The Persians were Indo-European and were inclusive and tolerant of different cultures. Their cuisine was sophisticated and elaborate. Persian women were active, enterprising, attractive and dangerous … Alexander the Great feared them! Trade was open to women as well as to men. The best art and craft examples came from the Treasury at Persepolis: gold, silver, and ivory pieces as well as jewellery and gems were found in different excavations.
PEASANT PASTIMES? The Art of Pieter Bruegel the Elder
Presented by: Sophie Oosterwijk
Wednesday 20 August 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 21 August 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
Pieter Bruegel the Elder (d.1569) is probably best known for his colourful depictions of peasants making merry or toiling in the fields. Although these works lent him the epithet ‘Peasant Bruegel’, his work was more than just charmingly naive. He was very much a townsman with a great eye for landscape, who painted for discerning collectors. He also lived in a time of religious and political turmoil evident in some of his ‘darker’ works explored in this lecture.
Born in Gouda (Netherlands). Sophie has an MA in Medieval Studies (York) and a PhD in Art History (Leicester), as well as an MA and PhD in English Literature (Leiden). Sophie has taught at the universities of St Andrews, Leicester and Manchester, Sotheby’s Institute of Art, National Trust, V&A, U3A, WEA and other organisations, and organised many study days, tours and visits. She is also a regular lecturer for Cambridge University and travel companies, and Vice President of the Church Monuments Society, and has numerous publications to her name.
1968: THE YEAR THAT CHANGED THE DIRECTION OF ART
Presented by: Anna Moszynska
Wednesday 17 September 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 18 September 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
What happened in 1968? A series of major events shook the world and artists responded to the changing times by making work that challenged the traditional assumptions of art. This lecture discusses how new art movements, such as Land Art and Arte Povera sprang up and how artists, including Sir Richard Long (UK), Robert Smithson (USA) and Daniel Buren (France), came to push the boundaries of art. For the first time, female artists also played a major role. To understand the art of this period is halfway to understanding the art of our time.
Anna is a London-based lecturer and writer specialising in contemporary art. During the 1990s, Anna oversaw the development of the first British Master’s Degree in the subject at Sotheby’s Institute. She has also taught at institutions including The City Lit, the Royal Academy and Tate London, as well as lecturing globally from Dubai to New York. Anna currently teaches in London and continues to write on art. Her books include Abstract Art and Sculpture Now. Anna enjoys introducing art to audiences in a lively and approachable way to make modern and contemporary art both accessible and interesting.
HALF INTEREST DAY 4
RUSSIAN ART & REVOLUTION AND EUROPEAN ART OF THE AVANT-GARDE 1917-1930
Thursday 18 September 2025
Presented by Anna Moszynska
Time & Venue: 11.45am-2.15pm, QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
This lecture examines Russian pioneers of the early 20th century (including Malevich, Lissitzky, Popova and Stepanova) and the exciting ways in which the role of art changed in the post Revolutionary society. Their divergent art practices are still inspiring artists today. In 1917, the year of the Russian Revolution, the De Stijl movement was launched in Holland which anticipated the opening of the Bauhaus in Germany two years later. Through the efforts of artists such as Mondrian, Rietveld, Kandinsky and Breuer, the face of art changed across Europe and beyond, lasting into the 21st century.
MY SCRAMBLING AFFAIR: How Constable’s Late Paintings Changed the Face of Modern Art
Presented by Sarah Cove
Wednesday 22 October 7:30pm at Royal QLD Art Society 3/162 Petrie Terrace, Brisbane
Thursday 23 October 10am at QLD State Library, Auditorium 1 Cultural Precinct, Stanley Place, South Brisbane
Constable’s exuberant, almost abstract, brush and palette-knife work shocked audiences for a full 50 years before Impressionism. Constable only sold 20 or so paintings in England during his lifetime, as their rough and ‘specky’ surfaces horrified audiences. He sold many to forward-looking French art dealers and collectors. Consequently, his radical ‘late’ works influenced generations of French painters, making Constable a Forefather of Modern Painting.
Sarah Cove ACR is an accredited paintings conservator-restorer, technical art historian and lecturer with several decades of experience working on paintings for the heritage and private sectors. She is a specialist in British portraits, 19th-20th century British landscapes and oil sketches on paper and board. She founded the Constable Research Project and is the leading authority on Constable’s materials and techniques. Her presentations are lively, enthusiastic and passionate about her work and research.
ALL MEMBERSHIP ENQUIRIES
Sherril Butterworth
Email: adfasbrisbane@gmail.com
Phone: 0416 114 304
TESTIMONIALS
Here is what some of our members have to say about the ADFAS Brisbane experience:
“ADFAS enriches my life-long embrace of the creative arts. Whether it is by making, looking at, or talking about creative acts such as painting, ceramics, fibre art, writing and music, I continue to discover so much about the wonder and chaos of life. By joining ADFAS, I have also been rediscovering the liveliness of friendships and communality forged through ADFAS’s wonderfully diverse program of expert speakers, events and lunches.” Donna McDonald PhD
“I love my ADFAS mornings. I always learn something about an interesting topic in the Arts and it expands my knowledge base. I have never been disappointed as the standard of the presenters is excellent. I also look forward to mixing with friendly like-minded people at our delicious Morning Tea.” Rachel Tyquin